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COLLECTIVE ACTIONS GROUP’s INDICES

CA’s Indices (rankings) are an attribution of action authorships

THE VALUE OF INDICES:


6 - For the authorship of a plot with no co-authors
4 - For the authorship of a plot with a co-author
2 - For co-authorship in the development of a plot
1,5 - For the largest efforts in the preparation and realization of an action
1 - For substantial assistance in the preparation and execution of an action
0,5 - For help in preparation and execution of an action.


1. APPEARANCE
Monastyrski- 4, Rubinstein, Alekseev- 1,5, Kizevalter- 0,5.
2. LIEBLICH
Monastyrski- 6, Alekseev- 1, Kizevalter- 0,5.
3. THE TENT
Alekseev- 6, .., Monastyrski- 0,5, Kizevalter- 0,5, Panitkov- 0,5, Miturich-Khlebnikova, St. Andrae.
4. SLOGAN – 1977
Monastyrski- 4, Miturich-Khlebnikova, Alekseev- 1,5, Kizevalter- 0,5, Panitkov- 0,5, .., Abramov.
5. BALLOON
Monastyrski- 6, Alekseev- 1,5, Kizevalter- 1, L. Veshnevskaja, Abramov, .., Miturich-Khlebnikova.
6. COMEDY
Monastyrski- 4, Miturich-Khlebnikova. , Panitkov- 1,5, Alekseev- 0,5.
7. THE LANTERN
Monastyrski- 6, Alekseev- 1,5, { Kizevalter- 1,5 for “Lantern” in Yakytia }.
8. SLOGAN – 1978
Monastyrski- 6, Alekseev- 1,5, Javorski, L&V. Veshnevski.
9. THE THIRD VARIANT
Monastyrski- 4, Miturich-Khlebnikova, Panitkov- 1,5, Alekseev- 0,5, ..
10. TIME OF ACTION
Monastyrski- 6, Alekseev- 1, Panitkov- 1,5, Abramov, Miturich-Khlebnikova.
11. PICTURES
Monastyrski- 6, Alekseev- 1,5, Panitkov- 1, Javorski.
12. PLACE OF ACTION
Monastyrski- 6, Makarevich- 1,5, Alekseev- 1,5, Panitkov- 1, Elagina- 1.
13. FOR N. PANITKOV
Monastyrski- 6, Alekseev- 1, Elagina- 1,5, Romashko- 1, Makarevich- 1, Javorski.
14. FOR A. MONASTYRSKI
Panitkov- 6, Alekseev- 1,5, Elagina- 1, Makarevich- 1, Romashko- 1, Javorski, ..
15. FOR G.KIZEVALTER ( Slogan-80)
Monastyrski- 6, Alekseev- 1,5, Elagina- 0,5, Panitkov- 0,5, Romashko- 0,5, Javorski, Makarevich- 0,5.
16. PLAYBACK
Monastyrski- 6, Romashko- 1,5, Panitkov- 1,5, Alekseev- 0,5, Kizevalter- 1, Makarevich- 0,5, Elagina- 0,5.
17. TEN APPEARANCES
Monastyrski- 6, Kizevalter- 1,5, Romashko- 1, Alekseev- 0,5, Elagina- 0,5, Makarevich- 0,5.
18. GAZING AT THE WATERFALL
Panitkov- 6, Monastyrski- 0,5, Alekseev- 0,5, Kizevalter- 0,5, Romashko- 0,5, Makarevich- 0,5, Elagina- 0,5.
19. ENCOUNTER
Makarevich- 4, Elagina- 2, Alekseev- 0,5, Kizevalter- 0,5, Romashko- 0,5, Kozlov.
20. FOR N.ALEXEEV
Monastyrski- 6, Panitkov- 1,5, Romashko- 1, Kizevalter- 0,5.
21. SOUND PERSPECTIVES OF A TRIP OUT OF TOWN
Monastyrski- 6, Makarevich- 1,5, Kizevalter- 1, Romashko- 0,5, Javorski, Panitkov- 1,5, Elagina- 0,5, ..
22. THE STOP
Monastyrski- 6, Alekseev- 1,5, Panitkov- 0,5, Kizevalter- 0,5, Romashko- 0,5.
23. EXIT
Monastyrski- 6, Kizevalter- 0,5, Romashko- 1, Alekseev- 1,5, Panitkov- 1,5, Elagina- 1.
24. GROUP – 3
Monastyrski- 6, Kizevalter- 1,5, Panitkov- 1, Romashko- 1, Alekseev- 1.
25. THE DARK PLACE
Monastyrski- 6, Kizevalter- 1, Romashko- 1, Alekseev- 1.
26. DIVISION
Monastyrski- 6, Alekseev- 1,5, Kizevalter- 0,5, Javorski, Makarevich- 0,5, Elagina- 0,5, . Blaudo.
27. JOURNEY TO THE COUNTRYSIDE FOR THE THIRD SILVER BALL FOR SABINA
Monastyrski- 6, Kizevalter- 0,5, Witte, Haensgen- 1.
28. SILVER TORUS
Monastyrski- 6, Panitkov- 1,5, Makarevich- 1, Kizevalter- 0,5.
29. “M”
Monastyrski- 4, Panitkov- 2, Makarevich- 0,5, Letov, Elagina- 1, . Blaudo, .., Alekseev- 1, Javorski, V. Goncharova.
30. REPRESENTATION OF A RHOMBUS
Panitkov- 4, Monastyrski- 2, Romashko- 1,5, Alekseev- 1,5, Makarevich- 0,5, Elagina- 0,5, Kizevalter- 0,5, ..
31. DESCRIPTION OF AN ACTION
Monastyrski- 6, Romashko- 1,5, Makarevich- 0,5, Kizevalter- 0,5, Elagina- 0,5, Panitkov- 1, I. Kabakov.
32. MUSIC WITHIN AND WITHOUT
Monastyrski- 6, Panitkov- 1,5, Letov? Romanova, Kizevalter- 0,5, Romashko- 1.
33. THE SHOT
Panitkov- 4, Monastyrski- 2, , Kizevalter- 1, Makarevich- 0,5, Romanova, Staheeva.
34. RUSSIAN WORLD
Monastyrski- 6, Romashko- 1,5, Elagina- 1, Kizevalter- 1, Makarevich- 1, ..
35. VOICES
Monastyrski- 6, Romashko- 1,5.
36. TRANSLATION
Monastyrski- 6, Haensgen- 1,5, Romashko- 1,5.
37. JUPITER (4.33)
Monastyrski- 6, Romashko- 1,5, , Haensgen- 1,5, Kizevalter- 1, Jrno, .., Sorokin.
38. THE BARREL
Monastyrski- 6, Kizevalter- 1,5, Romashko- 0,5, Makarevich- 0,5, Elagina- 0,5,Haensgen- 1, Panitkov- 0,5.
39. DISCUSSION
Monastyrski- 6, Kizevalter- 1,5, Eremina, Makarevich- 0,5.
40. THE WINCH
Panitkov- 4, Monastyrski- 2, Elagina- 1,5, Makarevich- 0,5, Kizevalter- 1, Salnikov.
41. THE SCORE
Monastyrski- 6, Romashko- 1,5, Letov, Makarevich- 1,5, Elagina- 1, Panitkov-1.
42. TAXI
Monastyrski- 6, Elagina- 1,5, Makarevich- 1,5, Panitkov- 1,5, Eremina, V.Mironenko, Bakstein, Leiderman.
43. DISCUSSION–2
Monastyrski- 6, Makarevich- 1,5, Elagina- 1,5, Panitkov- 0,5, Kizevalter- 0,5, Romashko- 0,5, Bakstein.
44. THE BOOTS
Panitkov- 6, Monastyrski- 1,5, Makarevich- 1, Kizevalter- 1, Romashko- 1.
45. SLOGAN–86
Monastyrski- 6, Panitkov- 1,5, Kizevalter- 1,5, .., Nahova.
46. BEHIND C.A.
Panitkov- 6, Monastyrski- 1,5, Makarevich- 1,5.
47. PRESSING THE ROTTEN SPOTS OF THE GOLDEN NIMBUS
Makarevich- 4, Panitkov- 1,5, Monastyrski- 2.
48. AN ARTWORK – PAINTING
Monastyrski- 4, Makarevich- 2, .., Elagina- 0,5, Kizevalter- 0,5, Panitkov- 0,5, Kozlov.
49. BEHIND C.A. - 2
Monastyrski- 6, Panitkov- 1,5, Makarevich- 0,5, M.Tupitzyn, Nahova.
50. FOR V. NEKRASOV
Monastyrski- 6, Panitkov- 1,5, Osipova, Makarevich- 1,5, Haensgen- 1,5.
51. THE SECOND PICTURE
Monastyrski- 6, Kizevalter- 1,5, Panitkov- 1, Elagina- 1, Makarevich- 0,5, M Chuikova, St. Andrae.
52. THE INTERVALS
Panitkov- 4, Elagina- 2, Monastyrski- 1, Kizevalter- 1, Haensgen- 1.
53. FOR I. MAKAREVICH
Monastyrski- 5, Kizevalter- 2, Elagina- 1,5, Romashko- 1,5, Panitkov- 1,5, Haensgen- 1,5.
54. FOR E. ELAGINA
Haensgen- 4, Monastyrski- 2, Panitkov- 1,5, Kizevalter- 1,5, Makarevich- 0,5.
55. FOR S. ROMASHKO
Haensgen- 4, Monastyrski- 2, Makarevich- 0,5, Elagina- 0,5, Kizevalter- 0,5.
56. FOR S. HAENSGEN (The Slogan-89)
Monastyrski- 6, Kizevalter- 1,5, Elagina- 1,5, Nahova.
57. AUDIENCE TRANSLATION
Panitkov- 4, Monastyrski- 2, Romashko- 1,5, Elagina- 1,5, Makarevich- 1, Kizevalter- 0,5
58. THE TENT – 2
Monastyrski- 6, Panitkov- 1,5, Haensgen- 1,5, Kizevalter- 0,5.
59. STROLLING PEOPLE AT THE DISTANCE ARE THE ODD ELEMENT OF THE ACTION
Monastyrski- 6, Kizevalter- 1, Romashko- 1, Elagina- 1, Panitkov- 1, Jurno.
60. A CALL TO GERMANY
Elagina- 4, Kizevalter- 2, Romashko- 1,5, Kozlov.
61. HANGARS IN THE NORTH-WEST
Monastyrski- 6, Kizevalter- 1.
62. THE ROSETTE
Monastyrski- 4, Haensgen- 2.
63. MEANS OF A SEQUENCE
Monastyrski- 6, Haensgen- 1,5.
64. FOR D. A. PRIGOV
Haensgen- 4, Monastyrski- 2.
65. THE HANDING OVER
Monastyrski- 4, Haensgen- 2.
66. THE OPENING
Monastyrski- 6, Haensgen- 1,5.
67. FOR I. HOLIN
Haensgen- 4, Monastyrski- 2, Makarevich- 0,5, Elagina- 0,5.
68. FOR STEFFEN ANDRAE
Monastyrski- 6, Haensgen- 1,5.
69. FOR I. KABAKOV
Monastyrski- 6, Haensgen- 1,5.
70. THE TENTH NOTEBOOK
Monastyrski- 4, Haensgen- 2, Romashko- 1,5
71. ALBUM FOR TRAVELLING NOTES AND SKETCHES
Haensgen- 4, Monastyrski- 2.
72. LAUNCHING A KITE IN PRORA
Haensgen- 4, Monastyrski- 2.
73. ON THE HILL
Panitkov- 4, Haensgen- 2, Monastyrski- 2.
74. THE CANS
Panitkov- 4, Monastyrski- 2.
75. SLOGAN–90
Haensgen- 4, Monastyrski- 2.
76. ARCHAEOLOGY OF LIGHT
Monastyrski- 6, Panitkov- 1,5, Haensgen- 1.
77. THE NEGATIVES
Monastyrski- 6, Romashko- 1,5, Makarevich- 1,5, Alekseev- 1, Elagina- 1, Panitkov- 1, Haensgen- 0,5.
78. FOR M. RYKLIN (The Slogan–96)
Monastyrski- 6, Romashko- 1,5, Makarevich- 1,5, Elagina- 1,5, Panitkov- 1, Kizevalter- 1.
79. LIKHOBORKA
Monastyrski- 6, Romashko- 1,5, Panitkov- 1, Elagina- 1, Makarevich- 0,5, Alekseev- 0,5.
80. PARTICIPANTS’ STORIES
Monastyrski- 6, Romashko- 1,5, Elagina- 1,5, Makarevich- 1, Panitkov- 0,5, Haensgen- 0,5.
81. THE LIBRARY
Monastyrski- 6, Panitkov- 1,5, Makarevich- 1,5, Elagina- 1, Romashko- 1,5, Alekseev- 1, Haensgen- 1,5.
82. LOCATIONS No 40 AND 41
Monastyrski- 6, Romashko- 1,5.
83. THE TUBE
Panitkov- 6, Monastyrski- 1,5, Elagina- 1, Alekseev- 0,5, Kizevalter- 0,5.
84. THE CROSSING
Monastyrski- 6, Panitkov- 1.
85. SHVEDAGON FOR THE PERFORMANCE «PLACE OF ACTION»
Monastyrski- 6, Elagina- 1,5, Panitkov- 1, Makarevich- 1, Romashko- 0,5, Haensgen- 0,5, ..
86. TRANSCENDENCE
Monastyrski- 6, Romashko- 1,5, Haensgen- 1, Panitkov- 0,5.
87. FISHERMAN
Monastyrski- 6, Panitkov- 1,5, Romashko- 1, Elagina- 1, , Makarevich- 0,5.
88. RED NUMBERS
Monastyrski- 4, Haensgen- 2.
89. THE SECOND SPEECH
Alekseev- 6, Monastyrski- 1,5, Panitkov- 0,5, Romashko- 0,5, Elagina- 1, Makarevich- 0,5.
90. GARAGES
Monastyrski- 6, Panitkov- 1, Romashko- 0,5, Alekseev- 0,5, Makarevich- 0,5, Elagina- 0,5
91. «625 - 520»
Monastyrski- 6, Panitkov- 1,5, Romashko- 1,5, Haensgen- 1,5, Makarevich- 1, Elagina- 0,5.
92. «6 2 5 - 5 2 0» IN BERLIN
. Haensgen, - 4 . Romashko, - 1,5 . Panitkov, - 1,5 . Monastyrski – 2
93. THE SACK
. Monastyrski, - 6, . Panitkov – 1,5 , . Makarevich - 1, . Elagina -,1,5 . Romashko- 0,5, . Haensgen – 0,5
94. “83”
. Monastyrski, - 6, . Panitkov – 1,, . Romashko - 1, . Elagina - 1, . Makarevich-1.
95. ADVENTURES OF THE BLIND
. Panitkov - 4, . Monastyrski -2, . Romashko-1,5, . Elagina-1,5 , . Makarevich- 1,5, . Haensgen. – 0,5
96. «51»
. Monastyrski - 6, . Panitkov – 1,5, . Romashko -1.5, . Makarevich - 1, . Elagina – 1,5, . Haensgen ( « ») – 0,5, Novgorodova
97. ON A CLEARING
. Monastyrski - 6, . Panitkov – 1,5, . Elagina – 1,5, . Makarevich - 1, . Romashko -1, . . Novgorodova.
98. ACTION WITH CLOCKS
. Monastyrski - 6, . Panitkov – 1,5, . Elagina - 1, . Romashko -1,5, . Makarevich -0,5, . Haensgen – 0,5, . ., Novgorodova.
99. SLOGAN - 2003
. Monastyrski - 6, . Panitkov – 0,5, . Elagina – 0,5, . Romashko -0,5, . Makarevich -0,5, . Haensgen – 0,5, . – 1,5., Novgorodova.
100. VILLAGES
. Monastyrski - 6, . Panitkov -1,5, . Elagina - 1, . Romashko -1, . Makarevich -0,5, . , Novgorodova, Sitar, Ovchinnikova.
101. FLIGHT TO SATURN
. Monastyrski - 6, , Elagina – 1,5, . Panitkov -1, . Makarevich -0,5, . Romashko -1, Novgorodova, . .
102. WALL NEWSPAPER
. Monastyrski - 6, . Panitkov - 1, . Elagina -1,5, . Makarevich - 1, Novgorodova.
103. MURANOVO – SAFARINO
. Monastyrski - 6, . Panitkov – 1,5, . Romashko - 1,Sumnina, Novgorodova.
104. FLIGHTS TO THE MOON
. Monastyrski - 6, . Panitkov – 0,5, . Romashko – 1, . Elagina – 0,5, . Makarevich – 0,5.
105. SLOGAN-2005
. Monastyrski - 6, . Panitkov - 1, . Romashko – 0,5, . Haensgen – 0,5, Novgorodova.
106. LIBRARY - 2005
. Monastyrski - 6, . Elagina - 1, . Panitkov – 1,5, . Makarevich - 1, . Haensgen -0,5, Novgorodova.
107. THE SUITCASE
. Monastyrski - 4, . Panitkov - 2, . Makarevich – 1,5, . Elagina – 0,5, . Haensgen – 0,5, . Romashko -0,5, Zagny.
108. “”
. Monastyrski - 6, . Panitkov -1,5, Novgorodova, . Romashko - 1, Sumnina.
109. ROPE
. Monastyrski – 4, . Panitkov – 2, . Elagina – 1,5, . Haensgen – 1, . Makarevich – 1.
110. THE WHIPPING OF THE YAUZA – 333 STROKES
Alekseev – 4, AM – 2, NP – 0,5, IM – 0,5, – 0,5, SR – 0,5.
111. LIBRARY - 2 0 0 7
AM – 6, NP – 1,5, SR – 1, – 1, IM – 0,5, SH – 0,5.
112. EMPTY ACTION
AM – 6, NP – 1, IM – 0,5, – 0,5, SR – 0,5
113. INTERSECTION – 2
AM – 6, IM – 1,5, – 1,5, SR – 0,5, Leiderman.
114. THREE MEGAPHONES FOR KAPITON
AM – 6, – 0,5, IM – 0,5, Leiderman, Zaharov.
115. FAILED SLOGAN 1978–2008
AM – 6, NA – 1,5, GK – 1.
116. THE GARBAGE TRUCK
AM – 6, SR – 1,5.
117. EMPTY DISTANCES
AM – 6.
118. «118»
AM – 6, . .
119. INTERSECTION – 3
AM – 6, Malishkin.
120. BARREL 120
Monastyrski- 6, Kulik, Malishkin.
121. TRACTOR-PIZDETS
Monastyrski- 6, Panitkov- 1,5, Romashko- 1, Elagina- 1, Makarevich- 1.
122. K-2
Monastyrski- 6, Panitkov- 0,5, Makarevich- 0,5, Elagina- 0,5, Haensgen- 0,5.
123. PANITKOV’s PROGRESS
Monastyrski- 6, Panitkov- 1,5, Elagina- 1,5, Makarevich- 1,5, Haensgen- 0,5.
124. DECORATION-2010
Monastyrski- 6, Haensgen- 0,5, Elagina- 0,5, Makarevich- 0,5, Romashko- 0,5.
125. INSTALLATION BY AUERBAKH
Monastyrski- 6, Panitkov- 1,5.

 

The presence and participation of CA members in actions (quantity): Monastyrski- 118 actions, Panitkov- 81 actions, Alekseev- 34 actions,

Makarevich- 65 actions, Elagina-64 actions, Kizevalter- 45 actions, Romashko- 63 actions, Haensgen- 40 actions.

 

 

TOTAL INDICES (rankings)


AM - 85 actions- at 6
13 actions- at 4
17 actions- at 2
4 actions- at 1,5
1 actions- at 1
2 actions- at 0,5
Total index: 604


NP - 5 actions- at 6
9 actions- at 4
3 actions- at 2
34 actions- at 1,5
18 actions- at 1
14 actions- at 0,5
Total index: 144

 

NA - 3 actions- at 6
14 actions- at 1,5
8 actions- at 1
9 actions- at 0,5
Total index: 51,5

 

IM - 2 actions- at 4
1 actions- at 2
14 actions- at 1,5
18 actions- at 1
30 actions- at 0,5
Total index: 64,5


EE - 1 actions- at 4
2 actions- at 2
19 actions- at 1,5
21 actions- at 1
20 actions- at 0,5
Total index: 68


GK - 2 actions- at 2
9 actions- at 1,5
14 actions- at 1
21 actions- at 0,5
Total index: 42

 

SR - 25 actions- at 1,5
21 actions- at 1
17 actions- at 0,5
Total index: 67

 

SH - 8 actions- at 4
5 actions- at 2
10 actions- at 1,5
7 actions- at 1
15 actions- at 0,5
Total index: 71,5
________________________________________________

TOTAL INDEX OF COLLECTIVE ACTIONS GROUP (100%): 1112,5
Composed 28.10.97 NP&AM, Supplemented 14. 3. 98; 11. 7. 98; 2. 4. 99; 24. 8.99; 20.1.2001;
21.3.2001; 13.6.2007; 24.4.2009; 18.2. 2011.

 

COMMENTARY ON CA INDICES

 

Index of 0,5 - a) meeting the audience


b) documentary photography of action by member of the CA
a) writing descriptive texts (usually not counted)
d) invitation of the audience (usually not counted)
d) purchasing of items for action (for example: coping the letters in Germany by SH for "Participant’ Stories" etc.)
e) a critical part in the discussion of the action (for example: NP in “Participant’ Stories" etc.)
g) collection and processing of stories of participants (usually not counted)
h) Providing a dacha, studio or apartment for actions (for example: NP’s dacha, IM’s studio, apartments of NA and AM, etc.), as well as participation in the financing of technical needs of actions.
i) general assistance in actions


Index of 1 - a) extra effort (compared to 0.5) in the preparation and realization of actions (for example: SR’s trip to the field during the preparation of
"Ten Appearances» 2 weeks prior to the action, etc.)
b) minora participation in the plot (such as GK in "Shots")
c) participation in the discussion of the action plan (for example: NP in "Shvedagon for the Performance “Scene of Action"”, etc.)

Index of 1,5 - a) participation in the plot (such as NA in "Appearance", NP in “Comedy”, SH and SR in "Translation", etc.)
b) active participation in the discussion of the action plan (for example: NA in "Balloon", etc.)
c) making the most important action items (for example: writing slogans, NA, IM, EE, GK etc.)
d) A special photograph (for example: IM in "Place of the action" and "The score", GK in "The Barrel", etc.)
d) purchasing of important items for an action (for example: NP – the pitch and the foil for "The Library", SH - bringing alarms from Germany for "The Library", etc.)
e) organization and management of an action (audience, etc.) on the field (usually not counted)


Note: 1) The calculations for each action take into account only the highest index of each participant.
2) The context of the indices (the relative intensity of the organizers) in each particular action is also considered.

 

 

TO A.M.'S RANKINGS

 

4 - 10 points (not including volume 6):

 

1. Appearance - Rubinshtein suggested the element of the «Certificate of presence» (factography).
2. Slogan-77 - V. Khlebnikova suggested the white letters on red background (I wanted to use red letters of a white background at first).
3. Comedy - I asked V.M.: «So two people have come out onto the field. Then one of them dissapears right on the field without going anywhere. How can this be done?» She suggested the element of the hole behind.
4. The Third Variant – I asked V.M.: «How can we make we make the second person headless?» She suggested the element of the balloon.
5. M - N.P. suggested the element of the «Wings.»
6. Work of Art - Painting – I.M. suggested the element of the «Painting.»
7. For Makarevich (5 points) - G.K. suggested the element of the «Meteorite» (as an illustration to the action's subtitle).
8. The Red Numbers – general idea and place of action – S.H.
9. The Suitcase – N.P. suggested the sound recording «On Prospekt Mira»
10. ROPE – I suggested two actions and N.P. brought them together into one


2 - 13 points (not including volume 6):

 

1. Representation of a Rhombus - Romashko suggested the element of the tape recorder playing in the field.
2. The Shot - AM suggested the auditory part of the action (the element of the “Sound triangle”).
3. The Winch - AM suggested adding the I Ching element of the action (6 fishing lines; N.P. was suggesting 10) and the element of the «score» (factography).
4. To Press on the Rotten Spots in the Golden Nimbus - AM suggested the title of the action and the making of the volume as a part of the action.
5. For Elagina - AM suggested the structural working out of the plot.
6. For Romasko - AM suggested the structural working out of the plot.
7. Translation of the Audience - AM suggested the element of «translation» (the title and the movement of the viewers).
8. On the Hill - AM suggested the element of «throwing down the cardboard cards».
9. Cans - AM suggested the structure of the concluding part of the action.
10. Slogan-90 – AM suggested the structural working out of the action.
11. 625 – 520 in Berlin – structural working out of the action.
12. Adventures of a Blind Man – structural working out of the action
13. The Whipping of the Yauza – AM suggested a restaging (variation) of his action Seven Blows to the Water using a fishing rod and introduced the element of the boxes in the water.

Translated by Yelena Kalinsky